Articles

Shorefront Update #010

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First three publications under Shorefront Press

Shorefront’s 2017 year was filled with activities, avocation, national forums and new partnerships. New acquisitions, the 5th installment of the Black History Month Lecture Series, participation with institutions from around the country and engagement with the schools have increased Shorefronts visibility and discoverability.

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Shorefront Archives

As an active collecting repository, new items added to the archives come from former alderman Delores Holmes, former School District 65 superintendent Joseph Hill, OPAL, Jack and Jill North Shore Chapter, items from the Graves family and campaign materials from Evanston’s April ward and mayoral elections. In addition, Shorefront has conducted over a dozen oral history sessions.

Shorefront recently partnered with the Schlesinger Library in Cambridge, MA to digitize 93 documents from the Edwin B. Jourdain Jr. collection housed at Shorefront. The documents will late be uploaded to a digital repository portal and eventually ingested to the UMBRA Research site. UMBRA specializes on important documents related to the African American communities across the country.

In partnership with the Evanston Chapter NAACP, The African American History and Genealogy Consortium and the Haitian Congress to Fortify Haiti, three community wide panel discussions were shared at the 5th Annual Black History Lecture Series event. Held on three consecutive Saturdays, scholars and community members shared their knowledge. All three sessions were filmed and archived at Shorefront.

Poster_2017Lecture one was Abbeville, South Carolina to Evanston and the Long Road to Recognition and Reconciliation. Lecture two was Pan-Africanism: Cuba and the Fight Against Colonialism. Session three was The Black Vote: What Just Happened—and What Do We Do Now? Sessions were held at Sherman United Methodist Church and at the Evanston Levy Center and was attended by over 175 participants.

The new traveling exhibit “Legacies” has grown from 10 to 15 panels. For 2018, Shorefront will produce five new panels. The growing, multi-panel focuses a snapshot of historic and contemporary residents and organizations throughout the North Shore. In 2017, the panels were displayed at the Evanston History Center and soon at the Lorraine H. Morton Civic Center.

During the 2017 Evanston NAACP installation of new officers, Shorefront presented an interesting early account of the local chapter activities utilizing newspaper headlines and the community members engaged in fighting early Jim Crow in Evanston.

Shorefront is in its second-year grant cycle with the Institute of Museum and Library Services (IMLS), “Museum Grants for African American History and Culture” and as a collaborating partner with the “National Leadership Grants for Libraries”. The Institute of Museum and Library Services is the primary source of federal support for the nation’s 123,000 libraries and 35,000 museums. To learn more, visit www.imls.gov.

With the “Museum Grants for African American History and Culture”, Shorefront officially launched Shorefront Press — our publishing arm. Three books have been published: The Dream Dancers: New England Preservers of the Dream 1620-1924, by Spencer Jourdain; True Colors: Evanston Through Our Eyes, by ETHS 2017 Senior Studies students; and Edwin B. Jourdain Jr: The Rise of Black Political Power in Evanston, Illinois1931-1947, by Dr. Sherman Beverly. All of these books are available at Shorefront, Squareup Market and Lulu.com.

With the “National Leadership Grants for Libraries”, Shorefronts partnership with the Amistad Research Center, the South Asian American Digital Archive, Mukurtu, and the Inland Empire Memories Project of the University of California-Riverside was completed. As partners, we assembled a series of four forums where Evanston for the host for the third forum in May, 2017. All Forum activities are archived at www.diversifyingthedigital.org.

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Families come in to both donate items and research their family legacies.

Shorefront and its activities is supported by membership, contributions and grant support. Shorefront is a 501(c)(3) nonprofit historical organization dedicated to collecting, preserving and educating people about Black history on Chicago’s suburban North Shore. It is publicly supported through grants, contributions and membership. The Legacy Center is open to the public for research initiatives.

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William H. Gill: Publisher, Businessman, Churchman, Public Servant

—by Rhonda K. Craven

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William H. Gill. Photo c1949

By the early 1900s, Evanston’s black community was well established, with three growing churches, a variety of individuals owning their own businesses, children attending the local schools, families owning and living in homes in different neighborhoods, and thriving social organizations. Some original settlers, dating as early as 1855, had already passed away or were very elderly, so there was room for “young blood” to join the growth and expansion of black presence and influence in Evanston.

William Hamilton Gill was born in Rockport, Indiana, on January 20, 1886, one of several children born to James and Kate Gill. When he moved to Chicago in the early 1900s, he was a general jobber. Gill married his first wife, Mary Belle Weaver, in 1906, and they moved to Evanston, living at 928 Judson St. They joined the Second Baptist Church, where he served as the church clerk.

In 1913, he ran for the office of city constable

In the spring of 1908, as the Sanitary District of Chicago sought to clear land around the canal area in Evanston, the Gills sold a vacant lot they owned on Dewey between Grant and Noyes Streets. By 1909, they had purchased a home at 818 Washington St., integrating that area for the first time. This large house also provided a home for lodgers over the years. It’s been said that Gill was the first Negro employee at the nearby Washington Laundry. As the proprietor of The People’s Laundry, with offices at his home, a 1911 display advertisement described its services as “Hand work only. Ladies’ Fancy Shirtwaists and Suits a Specialty. All work guaranteed.” He continued working in the laundry business for several years.

Gill was an early financial supporter of the Emerson Y.M.C.A. as black residents sought to match funds raised by white supporters of the effort. He established the Young Men’s Progressive Club at Second Baptist in 1911 and was selected to be its first president. Gill, who was also a prayer meeting leader, regularly took part in programs inside and outside the church, and he was described as “an amusing speaker”. He participated in the installation of Rev. I. A. Thomas, Second Baptist’s new pastor, in May 1912 and the second anniversary banquet for New Hope C. M. E. in May 1914. In 1918, he spoke at Shiloh Baptist Church in Waukegan, which was pastored by the Emerson Y.M.C.A.’s first executive secretary, Rev. J. Rayford Talley, who had previously served at Second Baptist.

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In 1913, he ran for the office of city constable, and he became the first Negro in Evanston to serve in that position, which he held for eight years. Around this same time, he began his career as a publisher and earned the nickname of “Editor Gill”. In the mid-1910s, he produced the Evanston Advertiser, and by the early 1920s, he began publishing the Evanston Weekly. These papers had offices at 1303 Sherman, and later at 1419 Sherman. In early 1929, he was the co-publisher (with future alderman, Edwin B. Jourdain) of the weekly North Shore Guide. Sadly, very limited copies of these papers are in existence.

During this time, there were ongoing protests against segregation in the local movie houses. In early 1919, Gill led a delegation that fought restrictions at the Star Theatre, 806 Davis St., after a customer was evicted because he chose not to move to the Negro section when asked. The Chicago Tribune reported that Gill said the next incident would “be made the basis of a prosecution in the courts.” It’s not clear how this specific incident was resolved.

He was appointed to report the Emerson Y.M.C.A.’s weekly activities for the Evanston News-Index in 1920. Gill also lectured at various churches to discuss “The Benefits of Co-operative Buying and How It Should Be Done”, and he was accompanied by a quartet of local jubilee singers.

In 1921, he was a principal speaker during a meeting to plan a $25,000 publication establishment. Gill also co-led (with barber, Forrest E. White) the effort to purchase a 50-foot vacant lot on Emerson Street between West Railroad (now Green Bay Road) and Asbury Avenues. The plan was to construct a three-story office building with a ground floor store, office space for businesses and organizations, and a lodge hall. Gill was one of 22 local businessmen who each contributed $100.00 towards the purchase of the lot. This building, the Masonic Temple at 1229-31 Emerson St., opened in the spring of 1929.

Gill was an admirer of noted Evanstonian, General Charles G. Dawes, who was nominated as Vice President of the United States in 1924. He sent Dawes correspondence with clippings showing the Weekly’s support of his political efforts. In turn, Dawes provided financial support for the paper at a critical juncture and purchased two subscriptions for at least a year. Later, Gill was among several Evanstonians who encouraged Dawes to run for President in 1928.

He served as president of the Baptist Young People’s Union (B.Y.P.U.) for several years and was appointed as a trustee at the church. By this time, Gill was also involved in the real estate (“Farm Lands a Specialty, Specializing in All Kinds of Trade”) and insurance businesses. He continued his leadership with the Emerson Y.M.C.A. as a member of the board of management.

In 1929, Marshall Field purchased property at the northwest corner of Church Street and Sherman Avenue (the site of Haven School from 1888 to 1927). Local newspapers reported several real estate transactions that reflected rapidly escalating property values in downtown Evanston. This prompted Second Baptist to discuss whether the church (which had acquired its Benson Avenue lot as leased property from Northwestern University in 1883 and purchased it in 1891) should stay in the area.

Though a number of black-owned businesses and residents were still in the downtown area (largely concentrated on University Place, Clark Street, Oak Avenue and Maple Avenue), there was an ongoing push for blacks to move west. Within the church, talks became contentious about what should be done with the church property, resulting in two factions among the membership. There were accusations that Rev. Thomas was excluding members who disagreed with his plans, and Gill, who was serving as the church clerk at this point, was part of the opposition. Rev. Thomas and his officers were removed from service in a controversial election in July 1929, and he challenged the results for more than a year. Eventually, around 1931, he and some former church members established “Second Baptist on Emerson” after worshipping at Foster School for a time. Gill remained at the church on Benson.

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“Church and Business Directory” Staff

His wife, Mary, who had been sick frequently over the years, died in 1930. With the endorsement of the League of Women Voters, Gill ran for justice of the peace in 1931. In spite of there being over 3,000 “race votes” available, he came in fifth in an eight man race.

In 1932, after the election of Alderman Jourdain in 1931 had been challenged due to alleged voter violations, Gill emceed a rally held at Second Baptist, and the keynote speaker was noted attorney, Clarence Darrow.

That same year, a W. S. Hubbard, of the (International) Harvester building in Chicago, received a letter from Edwin M. Goodman, Evanston’s Commissioner of Buildings, after he expressed concerns about the 800 block of Washington. In reply, Goodman advised Hubbard that the colored population had lived there for some time. He also cited Gill’s long residency and his real estate business. Hubbard apparently wanted the neighborhood to be segregated and the building condemned. Goodman indicated that the first was illegal and the second almost impossible to accomplish. He then suggested the establishment of a neighborhood improvement association to control tenancy in distressed buildings.

Gill images-2Gill married Della Robinson in 1941. In July 1947, he published the first Church and Business Directory, which documented schools, institutions and businesses, notable individuals and aspects of Evanston’s history.

In 1949, he founded and was the first president of the Men’s Forum, an organization that provided donations of food, money and a helping hand to those in need. Gill was a long-time member of Mount Moriah Lodge, Evanston NAACP and the Fifth Ward Republicans, and he became the Emerson Y.M.C.A.’s branch chairman in 1953.

After he died of a heart attack in his home in July 1961, the Evanston Review stated that, as a longtime real estate broker, “It was through his efforts that many areas were opened to Negroes.” The Chicago Defender indicated that he “was always anxious to advance the cause of his race and his community, was always in the vanguard of progressive and uplifting events in our town.” Gill, who never had children, was survived by his wife, Della (who lived in the home until her death in 1981), two siblings who lived in Chicago, as well as a number of nieces, nephews and friends. His funeral was attended by different local ministers, including the pastors of Ebenezer A. M. E. and Sherman Methodist, a testament to his impact throughout the community.

 

Images: All illustrations from the Church and Business Directory, 1949 and 1951 issues, published by William H. Gill

 

The Nile Club—The Social Evolution of a Black Veritas

— By Spencer Jourdain

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Charter members of the Alpha Phi Alpha Fraternity, Sigma Chapter. Edwin Bush Jourdain, Jr. (seated center) elected as its first president. Edward “Ned” Gourdin is standing in back row second from left.

. . .

Throughout his college years, Edwin B. Jourdain Jr. (Gint) enjoyed engaging in every aspect of university life available to a black student. He loved to attend the university orchestra and glee club concerts, carefully storing away the events’ ticket stubs, and was a big fan of the football and baseball teams and the famous Harvard crew. He attended each of the occasional receptions, or “teas,” for students with Harvard faculty and on rare occasion with President Lowell, where he would recall the gracious conduct of Mrs. Lowell toward all students regardless of color. Gint’s frank confidence, gracious manners and impeccable New England speech compared favorably with any of the Porcelain types. Leo Hansberry would later observe that Gint had clearly mastered the very culture that excluded him and thereby was able to see both its good and bad points in an objective way—the trait of a fine anthropologist.

Edwin B. Jourdain, Jr. “Gint”

By the autumn of 1920, the senior year of the Class of ’21, the collection of black students at Harvard and nearby universities had, in its own separate Darwinian evolution, produced an impressive roster of brilliance, epitomized in the Nile Club participants. The older black graduate students of the Nile Club had proved themselves as formidable intellects and had become admired mentors for the black undergraduate students. Such earned veneration was not new to Charles Houston. He had graduated from high school at the age of fifteen as one of the most outstanding graduates of legendary Dunbar High School in Washington, D.C. At Amherst College, Charlie had graduated Phi Beta Kappa and class valedictorian in 1915, and he had rendered admirable military service in World War I. Harvard Law School professor, and future Supreme Court Justice, Felix Frankfurter, said that Charlie Houston was one of the most brilliant students of any race ever to study under him at the Law School. Houston received his LLB in 1919 and went on to earn his Doctorate of Jurisprudence from the Law School in 1923. Houston would go on to become Dean of Howard University’s Law School and the architect of the NAACP’s legendary Legal Defense Fund.1 He and Gint would remain lifelong friends and sometimes collaborate on civil rights issues.

Jesse Heslip would become president of the National Bar Association and a constant contributor to legal battles of the NAACP. He, too, would remain a lifelong friend of Gint’s. Jesse’s classmate at the Law School Class of 1923, Raymond Pace Alexander, would serve as counsel for the NAACP, president of the National Bar Association, honorary consul to the Republic of Haiti in 1938, and founder of a prestigious black Philadelphia legal dynasty.

The black students in the Class of ’21, Ned Gourdin, Leo Hansberry and Edwin Jourdain, had been at the chronological median of a rare black experience in the Nile Club and were now poised for further accomplishments. Leo Hansberry would get his PhD in anthropology, and as a professor at Howard University in Washington, D.C., would become one of the nation’s leading scholars on African history and culture. Leo would be honored by the founding heads of state of Ghana and Nigeria, Kwame Nkrumah and Nnandi Azikiwe. A school of sociology at the University of Nigeria would be named for him.2 Graduating in 1921 with an MBA, the new degree from the graduate Business School, Norris Herndon would prove his ability as head of the nation’s largest black insurance company.

Ned Gourdin would go on to Harvard Law School to study under Roscoe Pound. Soon after graduation, he sailed for Paris to participate in the 1924 Olympics. Even though having an unusually low performance day, Ned would nonetheless win a silver medal in the long jump. (The fabled Paris Olympiad would produce the triple gold medal swimmer and later star of Tarzan movies, Johnny Weissmuller. The exploits of dash champions Abrahams and Liddell at the 1924 Olympiad would be depicted over a half-century later in an Academy Award–winning movie, Chariots of Fire.) Ned would become the commanding officer of the black Massachusetts 372nd Infantry, serve as a colonel in the Pacific Theatre of World War II, and retire in 1959 with the rank of brigadier general in the National Guard. In 1958, Ned would become Massachusetts’s first African American Superior Court justice,3 all in all, a bravura performance for a student who sometimes had to walk to his Harvard classes with newspapers stuffed in his shoes to keep out the winter cold.

Gint would be admitted to the Harvard Graduate School of Business, mindful of his father’s exhortations to go to a professional school to obtain some practical skills with which to face the difficult world of segregate America. He would carry with him an abiding interest in journalism, both as a writer and as a prospective publisher. Like Du Bois and Trotter, journalism would be an effective way to continue the fight for black civil rights and full participation in American society.

Washington, D.C.’s Dunbar High School, in a burst of brilliance, had produced in only a few decades a host of participants in the Nile Club and an alumni roster that would include Nile Club participants Allison Davis, Rayford Logan, Charles Drew, William Hastie, Montague Cobb, Sterling Brown, and Benjamin O. Davis. Dunbar (formerly the M Street) High School might have been aptly identified as a major source of the Nile.

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Spencer Jourdain’s book

There were only a dozen blacks throughout Harvard University and often fewer at other major colleges of the area. The journey to get there was so difficult that the Nile Club wound up being one of the most powerful assemblages of intellect imaginable. Gint would stand out in the memory of his college friends for his earnestness, easy grace, concern for others, and commitment to the black struggle for equality in which he had such deep roots. That year, several of the black students formed a Harvard Chapter of Alpha Phi Alpha fraternity. They included Charles Houston, Ned Gourdin, and Edwin B. Jourdain, Jr. The group elected Gint as their first president, and Charlie Houston served as the Chapter’s first treasurer. . .

. . .

Notes: This article is an excerpt of Chapter 13 from Spencer Jourdain’s book Dream Dancers: New England Preservers of the Dream 1620–1924, Volume One, available now at www.lulu.com.

Photo: Sigma chapter of Alpha Phi Alpha, Harvard University. First chartered c1920. Photo part of the Edwin B. Jourdain collection, Shorefront archives.

  1. “Brown at 50, Fulfilling the Promise: Charles Hamilton Houston,” Howard University School of Law, http://www.brownat50.org/brownbios/BioCharlesHHouston.html.
  2. James Mohr, “Hansberry, Leo (1894–1965),” http://www.blackpast.org/aah/hansberry-william-leo-1894-1965.
  3. Ned’s life story and his portrait hung in honor in Old Suffolk County Courthouse: see, Daphne Abeel, “Edward Orval Gourdin: Brief Life of a Breaker of Barriers,” Harvard Magazine, http://harvardmagazine.com.

Beauty, Jazz and Dreams: Kathryn Wimp’s Musical Journey With Duke Ellington

— By Carrie Moea Brown

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Stage name, Kay Davis production shot while touring with Duke Ellington

As Kathryn “Kay” MacDonald finished up the last two songs in her performance in Chicago, her eyes fixed toward the back of the auditorium. In walked a man surrounded by what in modern terms is referred to as an entourage. The year was 1944, and within moments she recognized what others around her already did— Duke Ellington had arrived. She left her place on stage and joined those down in the audience; pushing to get a closer look, when she finally reached him she was greeted with a question…

…“Can you be in Baltimore next week?” Ellington asked.

A week earlier, she and a friend attended one of Ellington’s performances. On a whim she decided to head backstage and after brief introductions she sang a tune. When she saw that Ellington seemed to enjoy it —and feeling even braver— she invited him to an upcoming performance.

“I was crazy about the man and his band,” Kay (now Kathryn Wimp) said in an interview with Northwestern Alumni News in 2001. “He was the epitome of style and class.”

She was pleasantly surprised that he had taken her up on her invitation— and even more surprised when he offered her a job. “I went home and packed my little trunk,” she said. “And that was the beginning of my career.”

The Formative Years

Born Kathryn MacDonald, in Evanston, Wimp knew early on in life that she wanted to sing. When her father, a chiropractor and her mother a homemaker from Evanston moved the family Bushnell, Ill. (62 miles outside of Peoria) she left behind a rich family history that included her grandfather, William H. Twiggs. An active civic leader, Twiggs was ahead of his time in working toward success in Evanston’s Black community. In 2000, this publication reported that he arrived in Evanston from Davenport, Iowa in 1884. He went on to own and operate a barbershop and printing press. Today, a park located south of Canal between Simpson and Payne streets bears his name.

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Twiggs family c1912. Katherine Twiggs (Kay’s mother) far left

By the time Wimp arrived back in Evanston for high school her interest in music had piqued. “I remember singing ‘Trees’ in elementary school,” says Wimp by phone from her home in Florida. It was her first time singing in public. She also recalls that her father used to sing in a Catholic choir—and she credits that with being a major factor in her choice to pursue music.

In her last two years at Evanston Township High School, Wimp began taking voice lessons. The school was de-segregated because it was the only high school for students in Evanston, black or white. There, she was a student of Roy Schuzler, a music teacher at ETHS who happened to be a student of Northwestern University music professor Walter Allen Stults. The relationship she forged with Schuzler would prove beneficial when she enrolled as a voice major at Northwestern’s School of Music.

Back at ETHS, she joined a choir newly formed by the head of the music department. Wimp recalls walking into the rehearsal room to find the entire choir was Black. They were all perplexed, she says. The head music teacher, a white woman from Texas, explained that she thought forming an all Black choir was a good idea because she felt the Black students sang so well.

Wimp says they all walked out of the room.  And the notion of an all Black choir was soon dismantled.

There were other challenges that faced Blacks living in Evanston at the time. On Sundays she would go downtown with her two younger brothers and her parents to get ice cream, but they would eat it on the drive home because they weren’t allowed to sit in the parlor.

Once, when Wimp was a teenager she and a friend who was darker skinned attempted to eat in at a popular diner in downtown Evanston. The staff offered to serve the lighter skinned Wimp, but refused service to her friend. They eventually let them eat in, but according to Wimp they doused the food in salt. She and her friend cleared their plates and left. She proudly refers to it as their version of a sit-in.

Early Training

The first Black undergraduate to enroll and subsequently graduate from Northwestern was Lawyer Taylor. The Louisville-born Taylor enrolled at the age of 34 and graduated in 1903. Thirty-five years later Wimp enrolled at Northwestern’s School of Music majoring in vocal performance. Only six Black students were enrolled in the music program at the time and because of Northwestern’s policy at the time, students of color were not permitted to live in the residence halls.

“We used to drool over Willard Hall, which was right across from the music building,” Wimp said in 2001. “I had a good time at Northwestern, but there were those limitations.” Wimp says that the limitations placed on both Black and Jewish students forged a sense of unity. “We kind of bonded together,” she says.

But those years were not without controversy. In 1942 at Northwestern’s annual Waa-Mu Show, a showcase of the campus’ musical talents, Wimp sang a duet with fellow music major Jack Haskell despite the social taboos on cross-racial stage romance.

The Man and His Band

In 1943 Wimp graduated with a Bachelor’s degree in voice. The following year she received her Master’s degree. Then, the opportunity came to work with Ellington. One of her first experiences in Ellington’s band came when he taught her the simple melody to “Creole Love Song.” Within an hour she was onstage with him performing the song. The year was 1944. The place was Carnegie Hall.

“I sang, it got a wonderful ovation and then I got the heck off the stage!” she exclaims.

Her first recording with Ellington came about as he was teaching fellow band member Al Hibbler notes from “I Ain’t Got Nothin’ but the Blues.” Wimp sat humming along off stage. Ellington asked her to join in humming. When he eventually decided to keep her on the track Wimp was less than thrilled.

“I called home crying,” she says. She wanted to be on the frontlines.

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Jet Magazine, Dec. 25, 1952

But there were plenty of opportunities to showcase her talent. The following year, in April 1945, President Roosevelt died. Ellington’s band was the only jazz band asked to perform for a national audience. One piece “A City Called Heaven,” was sung by Wimp. The years went on and according to Wimp band members came and went. Among those, the only still alive are Maria Ellington (of no relation to Duke), who later married Nat King Cole and gave birth to Natalie. She now resides in Florida. The second was Joya Sherrill who now resides in Great Neck, NY. But Wimp describes Ellington as a “genius” and says that even with constant flux of female band members he remained focused. She says, unlike many of his day he didn’t fraternize with female band members. In fact, he completely absorbed by his work.

“Music was his mistress,” she says. He was always at the piano. She even heard that later he bought a portable piano –presumably before they became a main stay– which he toyed with while on the road. She says he would stay up until all hours of the night “constantly composing” music.

The years between 1944 and 1950 were filled with high profile engagements, one-nighters and cross continental trips. Wimp describes life on the road as hard.

“It’s not that glamorous day after day,” she says. As time went on “I kept holding on hoping something dramatic would happen,” she says.

The band toured relentlessly, to the Palladium in England and with the Nicolas Brothers and Pearl Bailey in Liverpool, and seemingly everywhere in between. “It was quite an experience, very exciting,” she says. In 1947 the band toured California, Texas and Georgia.

It was a “whole different thing,” she says referring to race relations. She says they were bad, and despite their high profile they couldn’t even sit down in restaurants to eat. She recalls a frightening time in Macon, Georgia. The band had just finished a show and their manager, who was white, arranged a deal with a restaurant owner across the street from the theatre. Ellington and his band hastily made their way into the restaurant, so as to avoid any controversy. When a patron saw the band arrive he demanded to know why Blacks were being served.

The restaurant owner introduced Duke Ellington. And according to Wimp the angry patron answered, “I don’t care about no Duke Ellington!”

Before things could get any more tense, Wimp ran out of the restaurant and back to the concert hall where she set up a make shift hot plate. That night, she heated a can of Campbell’s soup over the sink in the ladies’ restroom.

Though things were rough at times, she and the band remained focused. But by 1950, after a four-week tour of Europe Wimp says, “I was tired. . . I got home and said, ‘That’s it,’” she says.

One night gigs and the relentless travel schedule began to take their toll. To this day she says feelings of fatigue remind her of those one-night summer gigs.

On the music of the day she says, “It escapes me.” But she is also encouraged by the recent resurgence of old standards from the likes of artists like Michael Buble, hailed as a modern day master of the music of yesteryear.

As for advice she gives to people aspiring to break into the music business. She says, “So much of what happens to you, no matter what you do is luck.”

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Kay Wimp, visiting relatives in Chicago viewing artifacts Shorefront found in her childhood home in 2006.

She parallels this with the story of a childhood friend from Evanston who also graduated from Northwestern’s music school. Ann DeRamus was Black and studied classical piano. She was considered a prodigy by most, but breaking into the world of a classical pianist as a Black woman proved to be difficult. She went on to become a social worker.

But, Wimp adds that today, “If you’re really serious about something, no matter what you do, trust and have faith that it will happen.” She adds, “Look at me. I never dreamed that I would be on stage with Ellington.”

 

Notes: The original article first appeared in the original printed version of Shorefront Journal, volume 7 number 3, 2006. Images from the Shorefront photographic collection, Kay Davis music collection.

Returning Home: The Centennial of the Abbeville Lynching of Anthony Crawford

—By Doria Johnson

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In January of 2008, First Lady Laura Bush designated Abbeville a “Preserve America Community.” This initiative recognizes those communities that demonstrate a commitment to preserving their cultural and natural heritage. After years of denying the African American experience, Abbeville took one bold step towards that identity.

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With seven weeks notice, the community and country joined the Crawford family in honoring the centennial of their banishment, and “Grandpa Crawford’s” lynching in a two-day public history event. This well-attended and publicized affair included a “Freedom School”; a lynching-site soil collection and faith-based consecration service; an unveiling of a cast-iron marker by Bryan Stevenson; and a community-wide scholarship award service. There were roughly three hundred attendees at each event.

Filmmaker Keith Beauchamp noted, “The family of wealthy Black farmer Anthony Crawford just made history again”, harkening back to their role in the apology for lynching by the United States Senate in 2005. This time, they secured funding for the permanent marker at the site of his lynching in Abbeville, South Carolina on the centennial of his death. Many folks in Evanston have a connection to Abbeville, and the 1916 brutal mob lynching of Crawford fueled a large outmigration beyond the chain from Abbeville to Evanston, to all across the United States.

We made history today. No longer can folks walk into government buildings in Abbeville without first encountering Grandpa Crawford. – Doria Johnson

The American South is littered with physical representations of the Confederacy, an increasing controversial issue, especially in light of the 2015 racial terror Charleston shootings by Dylan Roof of eight praying Black church members, and the assassination of their pastor South Carolina State Senator, Clementa Pinckney. Abbeville district AME Bishop Samuel L. Green, Sr. said “these killings are the evidence that we are experiencing a new lynching era”.

A few months earlier just up the road in North Charleston, unarmed African American Walter Scott was gunned down by white Officer Michael Slager. Despite video and strong evidence that Officer Slager hunted Scott as if her were a deer, rabbit or turkey, Scott was granted a mistrial, even though Slager can be seen planting a Taser gun on Scott, in front of other officers. Roof was recently convicted and is eligible for the death penalty; he will be sentenced January 17, 2017. From Crawford until now, racial terror is as American as apple pie.

Joining the Crawford family members were the families of Angela Davis, Malcolm X, Ida B. Wells-Barnett, Emmett Till, as well as students from Kenyon College in Ohio, national and local activists, human rights workers, historians, sociologists and faith leaders. Many people from all walks of life descended on Abbeville to bear witness to the terror and trauma of the survivors of the Crawford lynching.

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Doria Johnson presenting at the Septima Clark Freedom School

On the first day of the event, Friday morning, The Septima Clark Freedom School was opened in the Jefferson Davis Park with undergraduate students from Kenyon College, teachers, activists and Crawford family members leading classes. Later at dusk, the soil collection interdenominational service included clergy from around the country, including Rev. Dr. Jim Forbes, Riverside Church; Rev. Dr. Freddy Haynes, Friendship West Baptist Church; Rev. Dr. Dale T. Irvin, World Churches, and Evanston native Dr. Iva Carruthers, General Secretary of the Samuel DeWitt Proctor Conference, who wrote the service of sacred memory.

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Doria Johnson with Bryan Stevenson

On Saturday morning, Bryan Stevenson unveiled the marker in front of a large crowd, including many press members and filmmakers. Stevenson not only congratulated the family for their steadfastness, but he also told stories of survival and racial conflict. One story was about a woman who could not enter a Southern courthouse after being terrorized by police dogs during the Black Freedom Movement demonstrations in her childhood in the 1960’s. She had been on Edmond Pettis Bridge in Alabama when police brutally beat marchers and set dogs upon them, and the trauma of those dogs followed her entire life. In front of Stevenson, she finally mustered the courage to attend a trial of an innocent Black neighbor, and declared “We are here!”. Stevenson asked the crowd to chant ‘we are here’ over again to demonstrate to attendees, ‘the region and the nation’ that the victims of lynchings did not disappear and are still affected by the aftermath.

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Doria Johnson holding a jar of soil collected near the site where Anthony Crawford was lynched

In the afternoon, the community gathered at the Crawford family church, 149-year old Cypress Chapel AME Church (which borders the Crawford homestead). Several local teenagers were awarded scholarships by the Equal Justice Initiative, and Crawford family members from around the country spoke about their legacies.

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Dance performed by Gail Hutchison before the unveiling of the marker

Local Evanston residents also participated including Second Baptist Senior Pastor Rev. Dr. Michael C.R. Nabors, District 65 teacher Pat Gregory, Museum of Science and Industry/Yoga Instructor Gail Hutchison as well as 98-year old Lois Johnson, who attended as a salute to her dear late friend, Annabelle Frazier, Crawford’s granddaughter and family culture keeper.

Today, the Crawford family has made major strides towards recognition and justice. Just a few weeks later, Abbeville, the “birthplace and deathbed of the Confederacy” elected its first Black mayor, Santana Freeman. White City Manager Dave Krumwiede, and his assistant Blake Stone, provided critical leadership, ensuring the installation’s realization and also comfort for the family. Krumwiede said it was time for ‘generational change.’ The Crawfords, and the institutional collective, has plans for other actions which should change the lives of the Abbeville community. Program partners “We Say Enough”, Samuel DeWitt Proctor Conference all contributed significant support ensuring a successful event.

 

Note: All photographs courtesy of Doria Johnson

For more information: 

Dedication of Lynching Marker to Anthony Crawford (Equal Justice Initiative) http://eji.org/news/hundreds-d edicate-lynching-marker-anthon y-crawford-abbeville-south- carolina

The Evil of Lynching Exposed (Huffington Post) http://www.huffingtonpost.com/ entry/the-evil-of-lynching-exp osed_us_5802960ae4b0985f6d1571 f7

The History Behind the UNITY Scholarship and its Founding Members

—By Kimberly Jackson

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Unity Awards program held at First Church of God Christian Life Center, c2014

In 1984, the dream to find a way to recognize the community’s young people in a positive light was put into reality by two friends, C. Louise Brown and Yvonne Davis. Over 30 years later, this legacy is comprised of a unified body of believers and achievers coming together to do something positive for the African American community.

C. Louise Brown, a retired public health director for the city of Evanston, has always been one to pave the way so that others might follow. The first African American to graduate from Michigan State’s School of Nursing went on to earn her master’s degree at UIC in Public Administration. The idea of recognition for African American high achieving students was one that she experienced herself as a teenager growing up in Michigan. Her local church made it one of their missions to do something for its graduating students. The church not only acknowledged their students’ accomplishments but rewarded their success by paying for everything (from tuition to books and more) each semester, for their high school graduates.

Although Brown’s career resulted in her spending the majority of her time as a leader in the field of health administration, a passion for her local community, and students in particular, has always stayed close to her heart. It was only natural that she be one of the founders of a scholarship program.  Brown’s positions of leadership in her local church, Alpha Kappa Alpha, and on numerous community boards throughout the North Shore and Chicagoland area, support her belief that, “Joy is seeing people come behind you that you can mentor.”

The second founding member of UNITY is Yvonne Davis. She earned her undergraduate degree from Fisk University and graduate degree in Education Administration from Northwestern University. Davis is currently a retired school teacher, but her involvement in the community has far from slowed down. Her current and past participation and leadership roles in the field of education, her local church, Delta Sigma Theta, and many other influential programs in the area are examples of how genuine her passion is to make a positive impact on the community. As a young adult, Yvonne Davis’ frustration with all of the negative publicity of African Americans in the media furthered her determination to make a difference. She wanted to come up with a way to show the success and promising future of the African American community.

Together Davis and Brown, decided that one way to do that was to recognize the community’s young people. Thus began the UNITY scholarship program.

After a year, four organizations and one individual clearly saw the importance of UNITY and joined Brown and Davis’ efforts. The first five to do so were the Alpha Kappa Alpha, Delta Sigma Theta, and Kappa Alpha Psi fraternal organizations, the NAACP, and Ione S. Brown who integrated her existing Second Baptist Church Memorial Scholarship Program with UNITY.

By the second year, 13 additional organizations participated in UNITY’s support of the African American community’s high achieving students. That same year, the UNITY logo was proposed by Charlene Jones. The organizing committee immediately adopted it as the symbolic identity of the program.

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Since that time, the organizational structure of the program has remained the same in its overall constitution and purpose.  Rotating chairmanship, set meeting structure, and non-disclosure of how much each organization donates in scholarship money each year have added to the overall unity and success of the program. “There are no big I’s and little u’s in this program,” mentioned Yvonne Davis. Currently, close to 20 groups now fall under the umbrella of organizations that support UNITY and over $100,000 in scholarship money is awarded.

The UNITY program has become a tradition and its participants part of a legacy in the African American community. It is comprised of a recognition portion, a presentation of awards, and a time for enjoying the food that families and friends donate for the reception.

What was once a distant vision between friends has become a motivator for today’s black youth, a chance for them to shine in their well-deserved acknowledgement, and an example of what a little unity can accomplish. Congratulations to all of this year’s winners.

 

Note: Article first appeared in the original, printed Shorefront Journal, Vol 6, No 3, 2005, and slightly updated.

Eleanor J. Frazier Moore: Embraced Grace, and Culture

—By Dino Robinson

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Eleanor Frazier at podium, 1969

For eleven years, in a setting of grace, charm, and beauty, the Norshore Twelve, Inc. played host to its annual cotillion to formally present the Debutante’s of the year. This event attracted hundreds, within the African American community in Evanston and on the north shore, to the downtown Chicago Sherman House throughout the 1960s. The yearly anticipated gala would not have taken place if it were not for the tireless efforts of Eleanor J. Frazier.

Not more than a month would pass after the yearly event that Eleanor Frazier would start the frantic process over again. Activities included scheduling, selecting costuming, distributing press releases, determining themes and music, rehearsals and mailing invitations to invite a new set of young women. By that time there was less than nine months left for preparation for the gala evening.

Eleanor, better known to most as “Brownie”, was barely out of college when she first approached the men of the Norshore Twelve during the summer of 1959 and said, “We need to do something for our young ladies like the Deltas and Snakes in Chicago.”

Brownie reflected on her debut through Delta Sigma Theta Sorority at the Emerson Street YMCA. “I did not know what a cotillion was then”. Brownie said, “But I remember Boots Avery, Billie Childs, Camilla Parham Harris, Julia Turner, Beverly Wilson and others and what they taught me in being a lady.” The Deltas then had a program that introduced young ladies into adulthood in a formal process that cumulated with an evening event.

Brownie also referred to the Snakes Cotillion in Chicago. “I remember Rita Robinson and Sissy Butler from Evanston” Brownie said, “They made their debut in the Snakes Cotillion.” The Snakes was, and still is an active African American social organization in Chicago. Brownie, seeing that there was a lack of cultural enrichment programs for African American girls in Evanston, thought that an event similar to the Deltas and the Snakes was something that the men of the Norshore Twelve could undertake. These men felt the same.

Within that same year, Brownie had recruited, organized, trained and counseled a group of young ladies to experience an evening of class, grace, charm and culture, one which at that time was what many parents wanted for their daughters. The culminating event became known as the Norshore Twelve Cotillion. The Cotillion at its height was the most highly anticipated summer event.

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Eleanor Frazier c1990s

Brownie, during the inception of the cotillion, was employed at the Evanston YWCA as the youth program director. A life-long Evanston resident, she attended the local schools and went on to college at Dillard University in Louisiana where she pledged Delta Sigma Theta. Brownie later finished her education at Northeastern Illinois University. “At that time in the 1970s, it was expected that you went to college.” Brownie said.

Brownie married William L. Moore, Ph.D. and moved to Houston, Texas in 1977. There she taught Science and Biology for 26 years. Before her move to Texas, her avocation involved developing and organizing the Norshore cotillion in Evanston. This commitment turned into a yearlong project.

During the 1960s in Chicago, as well as the rest of the United States, was a hostile environment for African American’s, then referred to as “Negro” or “Colored”. Racial segregation, housing restrictions, lynchings, race riots, voting privileges and job restrictions were all elements that, for many in the nation, risked their lives to fight for.

So for an organization of “Negro” men to organize and hold an event in downtown Chicago hotels was nothing short of “impossible” in most African American minds. However, the Norshore Twelve seemed not to be intimidated by these taboos.

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Grand march at the Sherman House

Each July during the years 1960 to 1971, North Shore African American residents looked forward to the organization’s annual event. At its peak, more than 1,400 people packed the grand ballroom. At first, they held the cotillion at the Parkway Ballroom located at 4455 S. King Dr. in Chicago. When they outgrew that venue, they moved the cotillion to the former Sherman House at Clark and Randolph in downtown Chicago.

“I don’t know how we got into the Sherman House.” Byron said, “I guess through our various inquires, the Sherman House was the only one that responded.” Various people were instrumental in preparing the cotillion including Mr. Rickman who headed marketing; Mr. Holland was the Maitré d and Mr. Benny Price at the Foster Center (Fleetwood-Jourdain Center). “Without him there wouldn’t be a cotillion.” Brownie said, “He was the head custodian there. That is where we had our rehearsals. We would start around seven in the evening and not leave until past midnight.”

… She instilled in us to always strive toward perfection

“The idea behind the cotillion was to bring cultural enrichment to the young ladies.” Brownie said, “I felt as though the young ladies were being short-changed in not having such an program and event.” Participation in the cotillion was an experience that lasted nine months.

“The cycle began in July. Letters were sent to African American high school senior parents, inviting their daughter to participate in the cotillion.” Brownie describes, “Invitations an afternoon soireé were sent in October. November was the formal tea for prospective debutants. Once accepted, the young ladies were required to attend weekly meetings.” During the meetings, the ladies were instructed in posture, dance, dress fittings, make-up techniques, rehearsals, and culture etiquette.” Additional preparation included monitoring their school GPA, applications to college and their eventual acceptance letters to college. “The major expectation for participating in the cotillion was matriculation into college,” Brownie said.

Brownie utilized her time and Norshore Twelve’s money in preparation. She hired choreographers such as Michael Frederics from Gus Giordano dance studio; photographers from Zeloof-Stuart Photography Studios and caterers. For musical entertainment, the Willie Randall band was frequently used. “Brownie ran it all.” Byron Wilson said, a Norshore Twelve charter member. “Whatever she needed, she got it, no matter the cost. The men played a low-key role. Aside from finances, it was Brownie who ran the program.”

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1964 prospectives meeting at the home of Robert Cobb.

“Brownie was a very exceptional person,” Gwen Burton Poole said, a 1961 debutant, “She has this gift, a talent in organizing the girls and the event… and the patience she had during that time… She instilled in us to always strive toward perfection.”

In addition to the meetings, the participants had to solicit ads, hold fundraisers and seek sponsorships to defray the cost of the souvenir book. Parents were involved as sponsors and were required to host at least one social event at their home. Occasionally, a member of the Norshore Twelve would step in to serve as an escort or as a surrogate father.

All participants wore white ball gowns; a simple string of pearls with matching single-pearl earrings and 16 button kid or cloth gloves. Debutants selected their escorts for the evening gala. The escorts wore identical summer wear including top hats and sometimes canes for the debs and escorts dance. All of their efforts and a years worth of meetings were in preparation for the cotillion. Debutants, their parents and a showing from the Evanston community stepped out in high fashion for the evening.

“This was an opportunity to be with girls that we grew up with. This was the late time we may be together for a while, to do something meaningful.” Colette Hill-Duncan said, a 1967 Debutant. “I grew up a Norshore Twelve kid. This was something to look forward to.”

The Cotillion evening was a gala that involved a grand entrance of all the attendees. Following were the announced entrance of each debutant escorted by their father or a Norshore Twelve member. Following dinner and live music came the well-rehearsed and choreographed performances by the debutants and their young escorts as individual groups of ladies and gentlemen, then as couples.

“This was the social event of Evanston,” said Brownie, “School superintendents, government officials, the crème of the crop, all came out.” “And a lot of Whites would attend as well,” Byron said. “Write-ups would appear in the Evanston Review, The Chicago Tribune and the Chicago Defender.”

The Norshore Twelve Cotillion began July 1960 and through July 1971

Each year, the cotillion was identified by a theme. The earlier ones took on names off of classical music scores or stage plays. Later they were more thematic with choreographed performances that related to them. Some theme names included “Jour de Romain”, “The King and I”, “Black and Beautiful – Black and Tan Fantasy” and “Mod-Mad-Mardi Gras”. “The best year was the Black and Tan Fantasy in 1969.” Brownie said, “We utilized the music of Duke Ellington.” Byron agreed.

As the popularity of the Cotillion grew, they outgrew the space provided at the Parkway Ballroom. “One night, there were so many people dancing and enjoying themselves, the floors bounced.” Byron said. After the cotillion event, after parties took place in the penthouses. The penthouse rooms at the Sherman House were rented out by members of the Norshore Twelve or by parents of the debutants.

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1969 Debutantes at the home of landscaper Tennis Saunders. Photo by Zeloof-Stuart Photography

“After the cotillion, my father rented a suite after the cotillion.” Sarah Ashmore Diggs recalls, a 1969 debutant “After an amazing day and evening of being treated like a princess at the Sherman House, my friend and I wanted to sneak off to one of the penthouse parties. To my surprise, it was my father who was throwing that party!”

As the 1970s rolled around, times were changing. The rising movement of “I’m Black and I’m Proud” cued a new generation of African Americans to take a new look at its culture and social standing. It was becoming more and more difficult to find young ladies wanting to participate in the cotillion. “The younger generation was loosing interest in it. The parents liked it. But this trend was happening with our other organizations as well.” Byron said. During this time, the cotillion may have been perceived as assimilation by the younger generation. Between 1960 and 1969, the number of participants averaged 15 in the cotillion. In 1970, ten participated and the last cotillion in 1971, only eight took their bows.

The last cotillion spelled the end of the annual gala. Participation was met with animosity. “Things were just getting bad.” Byron said.

“The girls stopped cooperating.” Brownie said, “So I finally had to say, “I’m through!”

“And when Brownie said that, that was the end of the cotillion.” Byron finished. Most participants had no understanding of the time, planning, energy, arrangement or the money that was involved in preparing the evening’s gala event.

The cotillion may have lived out its cycle with the new generation new sense of cultural pride, ideas and direction, at least in the north. “The Links, for example, still have cotillions in the south today.” Brownie said, “I would like to see something like the cotillion come back… not seen as an assimilation, but to enforce that we [too] have a culture.”

The Norshore Twelve Cotillion began July 1960 and through July 1971. The preparation involved many dedicated businesses, parents, volunteers and the community. However, the event was pulled together by the tireless efforts of Brownie Frazier. During its existence, more than 150 young women had experienced the training process that cumulated in an evening of grace, charm and beauty that became known as “The Cotillion”. Many of these participants still have fond memories of the Norshore Twelve annual cotillion.

“The warmest feeling was that my family participated in the entire process.” Sarah reflected, “The whole community supported us.”

 

Note: This article first appeared in the original quarterly Shorefront Journal, Volume 8, Number 1, winter 2006 issue. All images courtesy Eleanor Frazier and located in the Shorefront archives.

Emmaline H. Jourdain: Remembering the Lady

—By Rose Jourdain

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Emmaline Hardwick, c1926. Shorefront archives

She had begun her life in Warrenton, Georgia. November 4, 1909, the only child of Rosa English and Joseph Hardwick, and moved with her family to Evanston when she was six. She attended the Evanston public schools, sang in the choir at Ebenezer AME Church where her father was a trustee and her mother was founder of several clubs. Following her graduation from Evanston Township High School, she entered Fisk University in Nashville, Tenn.

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Emmaline at Fisk University c1930

She was proud and pretty, vivacious and spunky, intelligent, loving, generous, charming, and witty. Her friends in Evanston called her “Sandy.” Her classmates at Fisk University called her “Imp.” When she was sixteen, she fell in love with Edwin Bush Jourdain Jr., a fierce crusader for racial justice who would become Evanston’s first black alderman, and was still in love with him more than fifty years later when he died. She had four children, adored each of them, and talked about them all the time.

She loved life and people. She loved babies, everybody’s babies. She loved beauty and art and music. Above all, she loved singing, and with her lyric soprano voice, she became a member of the internationally known Fisk Jubilee Singers.

People knew her by her walk: little bit classical, a little bit jazzy, a little bit cool. She had fabulous legs and loved high-heeled shoes and, when as a teenager, I asked her how she could “walk for hours in those things,” she always laughed and repeated one of her mantras, “Beauty knows no pain.” When she was a teenager, she wanted to sing professionally and maybe become a dancer. Instead, she took care of three generations of her family and never complained. She had grace, and grace under pressure. Her name was Emmaline Hardwick Jourdain.

When I was a young girl, she always prefaced her opinions or information-sharing with ‘Gint’ – my father’s nickname– ‘says.’ While I was trying to grow-up as fast as possible, she loved saying ‘Gint’, he always has five children, meaning me, my three siblings and herself. If anything arose that needed solving, or punishment, she said, “Wait till your father comes home.” Mom declared she was “twenty-nine.” until I was about sixteen and told her that was becoming an embarrassment to me, that she have had to be twelve or thirteen when I was born. Laughing she said, “I’ll be thirty on my next birthday.”

I adored my father, but Mom put the warm, sunny glow in our lives. I was thinking the other day about the up-coming holidays, remembering that when I was a girl, Daddy was Santa Claus, many years transforming our rec-room and the basement corridor that led to it into a pine-bough fairyland. But Mom was always the spirit of Christmas, with holly pinned in hair.

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The Hardwick family shortly after arrival in Evanston, c1915. Emma line, Joseph and Rosa. Shorefront archives.

Mr. DuBois, I’ve been reading The Souls of Black Folk and…

She loved our home and the beautiful pieces in it. Except for the times she wanted to go to the Club Delisa to hear Billy Ekstine, or the Rhumboogie to hear Sarah Vaughn, or to Ravinnia Park to hear the Chicago Symphony Orchestra, or to an elegant dinner party for the great tap dancer Bojangles, when I was a girl and dreaming of being off to Paris or Rome, the only other places that I knew that she wanted to go were to the movies with my father or to luncheons or small parties at the homes of friends. Friends whose phone calls or rings at the door she always answered with a delighted, “Hey,” as though she were receiving an unexpected present. She enjoyed company and setting an elegant table when dignitaries came to visit.

Although my father encouraged the participation of his children in these dinner table conversations, Mom rarely said anything. I thought Daddy’s friends thought her delightful, gracious, charming, a great cook and a lovely table decoration. However, over time, I noticed that she was taking much keener interest in what was being said.

Then one night after learning that W.E.B. DuBois, my father’s all-time hero, was again coming to dinner, I saw her in the living room reading. I asked about the book in her hand and she told me it was The Souls of Black Folk. I stared at her and then forgot it.

DuBois did not engage in small talk, nor was he a flatterer, and none of us kids dared intrude more than a sentence into his formidable intellectual zone. But then, after dinner, while we were having desert, Mom leaned a bit over the table, saying quietly, “Mr. DuBois, I’ve been reading The Souls of Black Folk and…”

I don’t remember the rest of her statement. In fact, I think I was too shocked to hear it. Daddy’s head had shot up and he was staring at Mom as though he had never seen her before. But DuBois had heard and was seriously considering what she had said, turning his attention full on Mom and speaking to her in exactly the same manner in which he spoke to Daddy. I sat spellbound, not by DuBois, but by Mom.

Another time sharply etched on my memory is coming home after my first year in college and being beckoned by her into the kitchen. “Nomie, [my nickname] guess what?”, she began. Her eyes were sparkling. “I have a job. It begins next week.” I stared. Mom with a Job? Although over the years, she had frequently told my father that she wanted a job, he had always said that she belonged at home with the children.

“What are you going to do?” I asked cautiously,

“I’m going to work in the payroll department at Great Lakes Naval station.”

I gasped. Mom had never paid a single bill and, except for the time Daddy had worked in Washington, she’d never even bought groceries. She had never had a checkbook and Daddy either took her or gave her cash whenever she bought clothes.

“Mom, what are you going to do there?”

“I’m going to be a clerk-typist.”

“But Mom, you can’t type.”

“Neither could you before you learned how,” she replied.

But soon, Mother found more things she could do. She began writing articles for her department’s bi-monthly newsletter – witty, intriguing pieces – that had personnel writing notes thanking her for the articles.

Then she was asked to write and edit the newsletter. She brought every one home proudly showing me the words on the mast head. “Emmaline Jourdain, Editor”.

After Wif [my daughter’s nick name] finished grade school, she and I moved back east, not to New York, but to Washington where my brother, Spence was then living. After my father died, Mom began visiting me twice a year: a month at Christmas and two or three weeks in the summer. She loved singing along with my CD’s, still loved theater, the ballet and musicals, and we went as often as I could afford, several times going up to New York to see a Broadway show which always thrilled her. And for one night she was a star.

I had gotten a ticket for Mom to see a Broadway show which I thought she would love. Spence took her up to New York, but she hated the show, saying to my stunned disbelief that “It was too vulgar,” that she wanted to go to a nightclub. A friend, Emme Kemp, whom I had known since her student days at Northwestern, had become a well-known pianist, appearing at swank and “in” clubs in New York and Europe. She had come to our home several times during our college days and sometimes Mom had sung along with her as she played our piano. She was then playing at a very “in” club just off Broadway. Spence took Mom to see her.

Emme called Mom to the mike. Mom demurred, but Emme insisted. Finally Mom walked to the stage, conferred a few minutes with Emme, then took the mike. She was eighty four, but her voice was still a pure lyric soprano as “Summertime” hushed her audience and, when she finished, brought everyone to their feet, shouting “Bravo.” At their applauding insistence, she gave them another song and then another before going back to her table where, to her amazement, several from the audience crowded around her, asking who she was, why they had not heard of her before.

Emme called me as soon as she got home and told me every detail of what had happened. When Mom got back to Washington the next afternoon, I told her I had heard that she had been singing in a nightclub on Broadway. Her face was radiant. “Oh, Nomie,” she said. “It was so wonderful.”

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Emmaline Hardwick Jourdain, c1985. Shorefront archives

That would be my mother’s last trip to New York, to Washington; the last time she would leave Evanston. Within a year, my brother, Bud. called me asking to me to come home and help take care of her.

Years before, both Buddy and I had, separately, promised Mother we would never put her in a nursing home. And though at the time I believe neither of us thought such a time would ever come, it was a promise we were both determined to keep. I came home and, with the help of a part time care-giver, especially Nita Davis, I was with Mom for nearly seven years. She became paralyzed and almost blind, but even as her descent into Alzheimer’s deepened, her spirit never waned. Buddy got up twice every night to turn her with such surgical precision that she never had a bed sore. I made up singing games to play with her, and though I can’t carry a note, she entered into them, cheering me with her delight, inspiring me with her bravery, her spunk and, most of all, with her faith.

In addition to her staunch support of her husband’s career, Emmaline Jourdain was active in many community organizations including: The Hardwick Guild, which was founded by her mother for the young women of Ebenezer AME Church, The Women’s Missionary Society of the church, The Community Hospital Auxiliary, and The Toppers who were active in civic causes. She served as Worthy Matron, Pride of the North, Number 61, Order of the Eastern Star in 1973 and a member of the Board of Stewards of Ebenezer Church.

 

Note: This slightly edited article first appeared in the original, quarterly Shorefront Journal, Vol 3 no 1, 2001 authored by Rose Jourdain, the daughter of Emmaline and Edwin Jourdain, Jr.

Hands of Time: Hands on Pageantry

—by Dino Robinson

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The Hands of Time: Bobby Caldwell, Barry Young, Lenard Perkins and Billy Giles.

. . .Look to this day!
For today your child has became a Woman!
A Beautiful  B L A C K  Woman! . . .
—Excerpt from “Miss Black Evanston” 1971-72, composed
by Maryland L. Williams and Morris McCorvey

Four men with aspirations to join the ranks of the many singing groups, made their stamp in history in a venue that was far from the music industry, in sponsoring a beauty pageant.

Four Evanston Township High School friends, Billy Giles, Bob Caldwell, Barry Young and Lenard Perkins shared in their interest in singing. After Giles and Caldwell served in the army, they formed a singing group known as the Devotions in 1967. One day, while the group was walking down Dempster Street, they stopped in front of a clock store. Inspired by the display, the group changed their name to the Hands of Time.

For the next several years, the group performed in local and Chicago metro area clubs and venues. Because of obligations to work and raising families, the group never devoted the time and energy needed to go further. “After many performances, we came out of it with $200, split between the four of us”, Mr. Young shared.

The Hands of Time performed at the former 1623 Club, Bobby Jones Club, venues in Chicago. The group also organized a singing venue at the former Student Lounge once located on Church Street and Maple Avenue. The headliner for the event Sonji Clay, the then ex-wife of the late Muhammad Ali.

It was at one venue in Chicago where the group came upon a request to sponsor a pageant. It was early 1971 after performing during a womans’ “society” club event where the group was approached and asked if they may be interested in sponsoring a competition in the North Shore. The winner of the pageant would then compete in the Miss Black Illinois pageant, then from there, advancing to Miss Black America pageant to be held in New York.

The Hands of Time took on the task, and they only had less than six months to pull it off. Under the name H.O.T. Production, short for their group name, they passed out flyers to Northwestern University Students, Evanston Township High School, and National Teacher College.

“The ladies group gave us the information of what criteria was needed for the ladies. They had to be in high school or college and from this area only. And they had to be under 21.” Said Mr. Young.

In the end, H.O.T. Productions attracted around 25 applicants that were narrowed down to 14 contestants: Joyce Ashford, Vernetta Bell, Linda Bowman, Sandra Childress, Rose Maria Eady, Betty Hill, Eva Holland, Loretta Lewis, Joyce Newman, Linda Jean Paul, Carola Payne, Debbie Pemberton, Bertha Pride and Earlene Spotsville were the final contestants for the first Miss Black Evanston pageant.

Throughout the coming months, the young ladies had an instructor that guided them in form, presentation and pageant venues. Eleanor Frazier, who for years had been working with the NorShore 12 cotillions, also helped in the process. Sponsors came from the Student union, the Foster Club and the 1623 Club and the final event was held on July 25, 1971 at the Orrington Hotel in downtown Evanston.

The events formal program, like most pageants, consisted of Music from Fred Hunter Jr. and his Orchestra, the opening procession of contestants, evening gown and swimsuit review and performance by the Hands of Time.

The event was documented in multiple issues of the Chicago Daily Defender, the North Shore Examiner, the Evanston Review, Chicago Tribune and the CCC Newsette. The CCC was quite excited about the event:

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Unknown publication

“. . .Never before has Evanston seen such a spine-chilling event as the H.O.T. Productions’ Miss Black Evanston Beauty Pageant. Judges simply had to be hard-put to decide on the winners. So diversified were their presentations that judges would have been justified in selecting any one of them.
We Learned that by a very narrow margin, . . . they announced to the suspense-filled audience of 300 or more patrons that the lovely Joyce Ashmore was their choice for Miss Black Evanston of 1971.”

Miss. Ashmore, a student at Emerson College, would go on to compete at the Miss Black Illinois that would be held the following month at the Playboy Towers. There she would finish as second runner up to a contestant from Chicago, Illinois. Miss Ashmore, an aspiring poet read one of her piece during the Evanston event entitled “The Black Woman’s Struggle to Adapt to the Changing Realities of Being Black”, with the ending verses:

My character has been molded to fit the survival needs of my people.
So I will change once again to fit their needs.
Mine will be a role of continual change, ever growing with my people,
Assisting them on their way, rather than becoming a stagnant burden.
So, too, must the Black man change.
We both must re-examine and re-define our roles,
For WE have a commitment for the future.
—Joyce Ashford

Though the event was a successful event, in the end, the Miss Black Evanston Pageant would be its first and last pageant from H.O.T. Productions. As Mr. Young simply stated, “We had the best event that year, among the other groups. But for some reason, we were not invited to participate the following year. That ended the effort. . .”. The Hands of Time continued to perform from time to time after the pageant. However, today it is just a memory left back at that time to be replaced with family and careers. There were only a few home recordings of the group, but none exist today.

 

Images: Hands of Time, courtesy of Mr. Barry Young. “Miss Black Evanston”, August 1971, Publication unknown.
Source: Interview of Barry Young conducted by Dino Robinson at Shorefront, September 27, 2014. Miss Black Evanston program book. The Daily Defender, Monday, August 7 and 9, 1971; The North Shore Examiner, August 2, 1971; The Evanston Review, August 5, 1971; Concerned Citizens Commitment (CCC), 1971. “Miss Black Illinois pageant dazzles Playboy Towers audience”, Daily Defender, August 21, 1971, p. 19.

Shorefront update #009

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The Justice For Peace exhibit at the Noyes Cultural Arts Center

The board and volunteers of Shorefront has had a busy schedule since our last update summer of 2015. New acquisitions, interns, exhibitions, avocation and recognition have all taken place over that time period cumulating into a very busy 12 months. We even did some light renovation to the Legacy Center and was a feature on Channel 9 during the Evanston Black Business Tour organized by the owners of Yo’ Fresh Frozen Yogurt. If you have not been by, you should visit.

As an active collecting repository, donations to Shorefront’s archives have grown. New items acquired come from individuals and organizations and include Ebenezer A.M.E., Opal, the ETHS Black Male and Black Female Summit, example pieces from local artists, Evanston Neighborhood Conference, The Triangle Club, Community Hospital, Foster / Lab Experimental School, Evanston Own It and dozens of smaller items. Many of these new items will be incorporated into current collections.

Throughout the months, Shorefront has been engaged with community outreach through lectures and discussions. Founder Dino Robinson participated in discussions on and about local history at Leadership Evanston, the Evanston Public Library and at the Black History Month Kick-off at Fleetwood Jourdain Community Center. There, Evanston Mayor Tisdahl presented the organizers with a proclamation recognizing Black History Month events, now on display at the Legacy Center. Dino also spoke at the Digital Archives Panel at the University of Michigan in April and will speak in October this year at UCLA on and about community archives.

All sessions_FlyerIn partnership with the Evanston Chapter NAACP, The African American History and Genealogy Consortium and the Haitian Congress to Fortify Haiti, three community wide panel discussions were shared at the 4th Annual Black History Lecture Series event. Held on three consecutive Saturdays, scholars and community members shared their knowledge. All three sessions were filmed and archived at Shorefront.

Session one was on Pan-Africanism and the local island communities. Local panelists, Jude Laude, Sharon Staine and Bob Parris gave presentations on the Haitian, Belizean and Jamaican presence on the North Shore. Dr. Anna Castillo gave an informative presentation on early South and Central America early presidents, governors and leaders of African decent.

Session two focused on legislature that has an impact on community and police relations. Panelists were Margaret Stapleton of the Shriver Center, Patrick Keenan-Devlin of the James B. Moran Center for Youth Advocacy and Shyriden Carmichael of the Cabrini Green Legal Aid.

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Session three of the lecture series

Session three focused on the theme of “telling your story”. Panelist were Gwen Rucker on the Mormons work in Genealogy, Arthur Amaker on the Maroons in American, Kim Chase on historical Black towns and Ayinde Jean-Baptists on Haiti.

Mid 2015, Shorefront introduced a new traveling exhibit series entitled “Legacies”. The growing, multi-panel focuses a snapshot of historic and contemporary residents and organizations throughout the North Shore. The first set of five panels was unveiled at the One State Conference organized by the Illinois Arts Alliance. The panels were also shown at the Justice For Peace exhibit at the Noyes Cultural Arts Center and at the 2016 Black History Month Kick-off event at the Fleetwood Jourdain Center. Plans on introducing additional panels to add to the exhibit will be ready by end of year.

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Mid July, Shorefront partnered with the Foster/Lab Experimental School Kindergarten 50th Reunion committee. The event attracted over 60 people – former students, teachers, administrators and community activists. Breaking the norm of reunions, this gathering focused on two themed panel discussions; We Were There and Where Are We Now? in reflection of the times when Evanston was beginning its school integration processes and evaluating what has changed today. In addition to the panels, Shorefront interviewed 15 former kindergarten students and administrators on their experience in the beginning of King Lab school. The resulting interviews is slated to be incorporated into the 1967 film by Larry Brooks, The Integration of Foster School for a 2017 release.

Shorefront is excited to be a recipient of the Institute of Museum and Library Services (IMLS), “Museum Grants for African American History and Culture” and as a collaborating partner with the “National Leadership Grants for Libraries”. The first award furthers Shorefronts work to grow a focused collection on the Jamaican and Haitian communities, expand its board, solidify partnerships and produce a collection of publications.

The second collaborative grant involves The Amistad Research Center, the South Asian American Digital Archive, Mukurtu, and the Inland Empire Memories Project of the University of California-Riverside for a series of forums focused on integrating community archives in the National Digital Platform. The January 2017 forum is slated to be held in Evanston, hosted by Shorefront.

The Institute of Museum and Library Services is the primary source of federal support for the nation’s 123,000 libraries and 35,000 museums. The mission is to inspire libraries and museums to advance innovation, lifelong learning, and cultural and civic engagement. The grant making, policy development, and research help libraries and museums deliver valuable services that make it possible for communities and individuals to thrive. To learn more, visit http://www.imls.gov and follow IMLS on Facebook and Twitter.

Lastly, Shorefront is intentional in encouraging families and organizations to consider donating items to local repositories and supporting efforts in creating archives. Over the years, Shorefront’s work helped grow its archives and encouraged other families and entities to do the same. Two organizations, the North Shore Ushers Guild and the Northwestern University Black Alumni Association has consulted with Shorefront while they work in preserving their own rich history.

Shorefront and its activities is supported by membership, contributions and grant support. Shorefront is a 501(c)(3) nonprofit historical organization dedicated to collecting, preserving and educating people about Black history on Chicago’s suburban North Shore. It is publicly supported through grants, contributions and membership. The Legacy Center is open to the public for research initiatives.